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Wednesday, 30 September 2015

An Angel On The Bus

An Angel On The Bus

We were getting worried about Grandma,
A widow, she’d long been left all alone,
She was getting more and more forgetful,
She seemed to be in a world of her own.

But she was a determined old lady -
We didn’t want her being put out to grass.
Then one day a new vista opened up,
When she got hold of her first bus pass.

She took to it like a duck to the water,
She became known as the “Off-peak Rover”;
Soon she was a frequent traveller,
And used it to voyage about all over.

Her confidence picked up, we noticed,
And she became increasingly keen.
When we asked her to tell us about it,
Her features became calm and serene.

“You see,” she said, “I’ve had an encounter,
About which it’s not seemly to boast,
But on the Ninety-Seven last week,
I ran into one of the Heavenly Host.”

Now we thought this was pretty unlikely,
And knew that Grandma was liable
To be somewhat over-impressed,
By things she’d read in the Bible.

We asked her what she was talking about,
What on earth was making her so happy,
And, suspecting that we doubted her word,
She became all defensive and snappy.

She said she’d seen an Angel on the bus,
A Close Encounter, of the heavenly kind,
He was just sitting there all on his own,
And she’d been so near, on the seat just behind.

She could have reached out and touched him;
To his collar and the hairs on his neck,
And she trembled in her joy and elation,
As she sat there, high up on the top deck.

His figure was picked out in silhouette,
And about him there was a sunny aura,
At least that’s how it looked at the time,
As she’d remarked to her friend Dora.
  
He had a special and ghostly presence,
His aroma made her feel slightly faint,
But there was one further thing that clinched it,
The proof that he was truly a saint.

She was a woman of faith and belief,
She didn’t need to have her flames fanned,
But it was right there in front of her,
Truly this Angel sat at God’s right hand.

She knew that she would have missed this vision,
If she’d been travelling by cycle
But there it was clearly, on the label,
In bold, curly letters – “Saint Michael”.


Copyright Andy Fawthrop 2015

Tuesday, 29 September 2015

Beneath The Surface

Beneath The Surface

There! Near the reeds, on the far bank
A sinuous, slow movement
Languid and lazy
A suggestion of a dark shape, a shadow
Beneath the silvered surface

The shimmering pond-water
Implacable, cold, lily-covered
Under a slow-warming sun
Its midge-infested meniscus
Disturbed by the easy-rising minnows
Conceals a waiting presence

Snout, and focused steady eye
Belie the beating gills and waving tail
Needled fins and razored teeth
Lie in silent patient deadly wait
Inside a green and grassy cover
Until it is time to strike
To kill and eat
Before disappearing
Back into the depth


Copyright Andy Fawthrop 2015

Monday, 28 September 2015

Snouts In The Trough

Snouts In The Trough

It’s good that we live in in a democracy,
With flags blazing and banners uncurled;
Here in the Mother of Parliaments -
An example we hold out to the world.

And we take this stuff damned seriously:
We’re not mere amateur hobbyists,
But now we’ve taken our eye off the ball,
And let in the canker of lobbyists.

But it takes two to tango they say,
Someone who needs a question to be asked,
And someone whose position is privileged,
With a streak of greed that’s thinly masked.

There’s a lack of transparency
In this access for cash
Their action is rash
Trying to look flash
As they sit in a sash
Making a huge mash
And principles into trash.

Where’s honesty and integrity gone?
Public service in office?
It’s gone down the abyss
They’re taking the piss
By behaving like this
Let’s give them a hiss
Tell them to kiss
Their cushy jobs good-bye.

Only hidden cameras and microphones
Have blown this thing open -
Insider access is a wheeze
They start with a tease
Then outline their fees
Soon acting with ease
They should be on their knees
Not slopping in grease
And wallowing in sleaze.

And to add insult to the injury,
By using these tools, they take us for fools,
And with faces all innocently turned,
Claim “I was only following the rules!”


Copyright Andy Fawthrop 2015

Sunday, 27 September 2015

News From Bromham - Dateline Sunday 27th September 2015

Bulletin From Bromham: Dateline – Sunday 27th September 2015
                                             
Here is our weekly round-up of events from Bromham:

1.       The red carpet was rolled out in Bromham this week for some senior bloke in the Church of England.  He was shuttled from event to event in a “bishop-mobile” and was met at Bromham International Airport by Parish Council leader Dave Wentwrong.  However, a somewhat discordant note was struck when this celibate man, who was wearing a dress, embroidered slippers and a rather dodgy conical hat, attempted to preach a sermon to the massed crowds.  However no-one turned up, so he had to settle for a couple of senile dogs walking down the High Street. His theme was about the sanctity of married life, the sin of contraception and the crime of abortion.  The dogs could not afterwards be found for comment.

2.       Extra-ordinary stories emerged this week as the unauthorised biography of Dave Wentwrong was serialised in the Bromham Bugle.  The articles by Lord “Squealer” Piglet lifted the lid on the earlier life of Wentwrong when he was still a student at Bromham Polytechnic back in the 1990s.  Piglet alleged that the leader of the Parish Council was involved in sex-games involving baler-twine, smoked illegal carrot-root, and on one occasion placed a part of his august anatomy inside various farm animals.  It is not stated whether the carrots or the animals were either alive, or were harmed during this process.  The animals could not be traced for comment.

3.       For details of these and all other Bromham stories, don’t forget to listen to local radio station Carrot FM.

Copyright Andy Fawthrop 2015


Saturday, 26 September 2015

One Way Ticket To Mars

One-Way Ticket (to Mars)

I was looking for a new challenge, something to banish senility’s fears,
When I spotted the advertisement, a way to spend my retirement years.

It said they were looking for astronauts, to head on out into deep space,
So I signed myself up for the training, and entered into the space race.

They had a great vision for mankind: to journey towards the stars.
We’d be taking off from the Earth - it was a mission to colonise Mars!

Yes, we were setting off for the Red Planet, to establish a colony, or a base-camp,
Like the pioneers in the days of old, I felt like Columbus as I mounted the ramp.

The blast-off was truly spectacular, as our rocket rose towards the night sky,
And Mission Control raised a big cheer, as they sadly waved us good-bye.

Then we pulled out of Earth’s gravity and, as we carefully avoided The Moon,
It hadn’t yet even occurred to me that I’d become a hostage to fortune.

You see, when a man settles down for a while, and there’s no alcohol on board, no drinking,
His thoughts turn to existential matters, and that’s when I got round to some thinking.

If we’ve dropped all of our boosters, and we’re voyaging in this tin can,
How are we going to get back from Mars? Won’t we be stuck there, to a man?

I voiced my concerns to the captain, and mentioned it to the rest of the crew,
But they all just fell about in their laughter, and said that they thought that I knew!

It turns out that this is a one-way journey!  I’ve been issued with a single ticket!
There’s no possible way to return: well, I mean, that’s simply not cricket!

I knew that it would take a long time, if mankind was to make a great mark,
But I didn’t realise how final it was, that day when I’d turned up to embark.

We’re to be the first of our species to land on Mars – that’s our true fate,
And if we survive our arrival, our next job will be to pro-create!

Now I’ve had a look round at the rest of the crew, and there’s none I’d want go out with on a date,
So it could be a long, lonely existence if I’m the only one not taking a mate.

There’s one girl who’s been looking at me, and paying me lots of attention,
I think I know what’s on her agenda, I think I can spot her intention!

So here I am, trapped in this spaceship, with only the Sun’s gravity to tow it,
Heading off to a fate worse than death – it’s space, Jim, but not as we know it.


Copyright Andy Fawthrop 2015

Friday, 25 September 2015

Christmas Cake

It's that time of year again.  It needs to be made now because it takes a good few weeks to mature and to be properly "fed".

Recipe for: CHRISTMAS CAKE

Ingredients:

  • 1 lb currants
  • 8 oz raisins
  • 1 lb sultanas
  • 6 oz mixed peel
  • 4 oz glace cherries
  • 4 oz shelled almonds (optional)
  • 10 oz butter, warm or softened
  • 10 oz caster sugar
  • 6-8 eggs
  • 12 oz self-raising flour (or plain + 1 tsp baking powder)
  • Pinch salt
  • 2 tsps mixed spice
  • Grated rind of one lemon
  • Juice of one lemon
  • Splash of milk or buttermilk

Method:

  1. get two big bowls out.  In the first assemble all the dried fruits, nuts & peel.  Put aside.
  2. in the second bowl, put the butter & caster sugar.  Cream them together until light & fluffy.  Be prepared for your arms to hurt a lot while doing this.  While you’re having frequent rests, line & butter a large cake tin with grease-proof paper & set it on a baking tray.
  3. when the creamed mixture is ready, add the eggs one at a time.  It’s easiest to do this by lightly beating each egg in a small bowl first, then adding it.  Make sure each egg is properly incorporated before adding the next.
  4. when all the eggs have been added, gradually sift in the flour, salt & mixed spice
  5. when that’s done add in the lemon & the milk
  6. when that’s done, gradually mix in the pile of dried fruit & nuts from the first bowl
  7. the mixture should now be a solid mass of ingredients held together by the sponge mix.  It should be of a stiff dropping consistency
  8. pile the mixture into the prepared lined cake tin & pat down gently to avoid any major air bubbles.  Smooth the top with a spatula.
  9. bake in a low to medium oven (160C/ 150C fan) for about 3 hours.  It’s hard to be precise, depending on heaviness of mixture.  Test from 2 hours onward with a skewer – if it comes out clean, it’s cooked.  The cake should be browned on the top and the sides just starting to come away from the sides of the tin.  If in doubt, give it another 20 minutes, then test again.
  10. remove to a wire rack to cool completely, then store & begin feeding.

What else you need to know:

  1. the cake should be made in August/ Sept if possible because it needs time to mature & to be fed before Christmas.  Store in an air-tight container;
  2. feed the cake weekly.  You can use rum, brandy or sherry or any combination you like.  Prick the cake all over the top with a fork or a skewer.  Use a tea-spoon to gently pour your alcohol of choice into the holes, then re-seal in the cake container;
  3. this cake is wonderful on its own, but is improved when accompanied by a wedge of a white crumbly cheese such as Wensleydale, Lancashire or Cheshire.


Thursday, 24 September 2015

Mission

Mission

We left upon a high tide
Of love and hope and enthusiasm
That pushed us gently off from home
Out into the starry night
To travel upon waves of faith
And the best of our technology

We embarked upon the journey
In our silvered ship of dreams
Carrying deep within the belly of its hold
Supplies and building blocks of life
Essentials for the colony
And a fragile early settlement

And now we can only wait
And voyage on regardless
Tracking our co-ordinates
On our pre-determined trajectory
A long-distance one-way ticket
Through cold and airless space

There will be no return
No coming back across the void
From this long-term venture
To a dry and dusty planet
With its darker horizon
Orbiting further from our Sun

But we may survive for long enough
To thrive and procreate the species
To build a tenuous foothold
Upon the rocky surface
Where we can stand defiant
And watch the Earth rise once again


Copyright Andy Fawthrop 2015

Wednesday, 23 September 2015

Socks Without Partners

Socks Without Partners

I’ll tell you a story of heart-ache and loss,
With a happy ending that’s a heartener,
Of a garment that was lost in the washing,
The tale of a sock without a partner.

Tootsie, for that was the sock’s name,
Suddenly found herself lonely and lonesome,
Carried off in the basket with the rest,
But realised she was all on her own-some.

They’d gone, as usual, in the washer together,
Then her other half seemed not to be there.
How had they managed to drift apart,
When they’d always been part of a pair?

She’d found herself in with some dirty types;
Their filthy behaviour caused her to wince,
And she found herself turned inside out,
When she finally came out of the rinse.

There’d been too much of a crowd in the basket,
With bras and knickers she’d been forced to mingle,
And it was only as she hung on the line,
That she realised that she was now single.

There was no-one to meet her or match her,
She started to rue, her anxiety grew,
She knew she was useless on her own,
There was no purpose unless there were two.

Then a kindly old night-shirt took pity,
When he saw that Tootsie was crying.
He made a suggestion to the young sock:
There was a way out, something worth trying.

“There’s a special support group,” he told her,
“Where singles can meet with a view to dating:
Goes by the name of Socks Without Partners,
Where the lucky ones may end up by mating.”

“But I’m too old to find anyone now,
With my ticking biological clock,
No-one will want some-one as washed-up as me,”
Thus wailed the little pink and white sock.

“They’ll see that I’m neither modern nor new,
My stitching’s all bobbled and sunken,
My colour has faded, my pattern’s all shaded,
And my elastic’s completely shrunken.”
  
The night-shirt replied, “it’s time that you tried,
By putting forward your very best foot.
And, of course, you’ll need to be on your toes,
If you want to get yourself out of this rut!”

“They don’t hang about in these places, you know,
If it’s a partner you’re after catching;
You only get two minutes for chatting,
It’s a new thing they call speed-matching.”

So Tootsie was thrown in the airing cupboard,
With no-one to love her, nobody to care,
When, just for a moment, somewhere in the pile,
Was that a flash of pink she could see there?

The colour wasn’t perfect it seemed,
The patterns on them differed some ways,
But they found that they had plenty in common,
To team up together for a few days.

The other old sock had lost his partner too,
And had been left long in this cupboard’s heat,
But they decided they could walk out together,
And, as a new partnership, they could meet.

So the moral of this story’s quite clear:
If you’ve been abandoned, don’t cry and moan -
There’s always some-one out there that’s for you,
Never give up if you’re left on your own.


Copyright Andy Fawthrop 2015

Tuesday, 22 September 2015

At The End Of The Pier

At The End Of The Pier

The gaps between the weathered planks underfoot
Left tantalising glimpses of the drop
Down to the restless sea boiling beneath
The waves slapping hard against the piles
Barnacled and seaweed-strewn
A watery world, above which we were held aloft
On the bracing breezy boardwalk
Heads down into the wind
Eyes hooded against the slanting light
Along the corroded iron-girdered structure
A jaunty finger jutting out from land
Edged around by rusting railings
Their corroded layers of leaded paint
Flaking in the sea-salt onslaught
Of many stormy seas
And elemental winters

The pier’s attractions sheltered in the middle
Clustered tight together in serried rows
Harbouring sweet and sickly smells
Of sugared rock, ice-cream and candy-floss
What-the-butler-never-saw machines
And pulsating penny arcades
That held the promise of a prize
The seafood stalls set out their wares
Of cockles and crab-sticks
Pinky prawns and pin-hunted winkles
And shops that touted windmills
Flags and buckets and spades
Kiss-Me-Slowly cowboy hats
And revolving wire stands
Of saucy seaside postcards
Picturing pot-bellied punters
That had lost their little Willie

Then beyond the chevroned deckchairs
The booths and bandstand of a bygone era
Faded relics of Edwardian grandeur
Out towards the final destination
And an end of walking
The promenade’s pointing prow
With but a single heavy telescope
That cost a silver sixpence
To let the gormless gaze out into the bay
Before bowing to the inevitable
And setting out upon the journey back
That could never be as thrilling
As that first stroll out into the sea
And towards a setting sun


Copyright Andy Fawthrop 2015

Monday, 21 September 2015

Oh! Mr Weatherman!

Oh! Mr Weatherman!

Oh! Mr Weatherman, you’ve done it again,
You said it wouldn’t get any wetter,
But when I look out of my window,
I can’t see that it’s got any better!

My violets are all shrinking,
There’s a line that we’ve not crossed,
It’s chilly and miserable and windy,
And tonight there’s a threat of more frost!

What happened to Spring and to Summer?
Why are your isobars clustered together?
Aren’t we due for a warm front now,
And a promise of much better weather?

The shoots in my garden are shivering
My onions look like bunions
My spuds seem to be duds
The peas think I’m a tease
Cabbages creeping, parsnips not peeping
The kale has gone pale, I think it might fail
And oh golly, just look at my caul!

This cold can’t continue
Ever more rain, is more than a bane
It’s causing me pain, again and again
I know what it means, for my haricot beans
And it gives me the freaks, when I look at my leeks
And I’ve called off all bets
When it comes to courgettes

Outside it’s all drear and wet
It’s the worst season yet
I’ve started to grouse, and crept like a mouse
Inside of my greenhouse
I’m avoiding the slugs and the bugs
But even here there are foes
But that’s how it goes
With snails among my tomatoes

So, please Mr Weatherman!
This forecast of yours sucks -
Let’s get some new heart into your chart
Cause we don’t want the weather for ducks!


Copyright Andy Fawthrop 2015

Sunday, 20 September 2015

News From Bromham - Dateline Sunday 20th September 2015

Bulletin From Bromham: Dateline – Sunday 20th September 2015
                                             
Here is our weekly round-up of events from Bromham:

1.       Bromham’s Foreign Ministry has been criticised after erecting a barbed wire fence on the border with Seend in a blatant attempt to prevent the migration of refugees fleeing the civil war.  This represents a complete u-turn in policy after Mrs Hicks (the blousy blonde on the High Street, whose husband is always away on business) had earlier invited a homeless Seend family to come and stay with her, thus provoking a tidal wave of sanction-seekers.

2.       This week marks the 75th anniversary of the Battle of Bromham, when villagers stood shoulder to shoulder to defend the free area of Bromham from invasion by the Trowbridge jackboot of county red-tape.  As the Chairman of the Parish Council once remarked: “never has do much been owed to so few vegetable-pickers” and “we will fight them in the fields, and in the packing sheds, and behind the delivery lorries” and “I have nothing to give you but beetroots, carrots and parsnips”.  It is thought he had been drinking, and possibly reading the Daily Mail (again).

3.       For details of these and all other Bromham stories, don’t forget to listen to local radio station Carrot FM.

Copyright Andy Fawthrop 2015

Saturday, 19 September 2015

Fielding An Illegible Player

Fielding An Illegible Player

I thought at first it was just a slip of the tongue
A simple error that anyone could make
But as I spread the marmalade upon my toast
And heard him explain some more about it
I better understood what it was that he was saying
When he announced that my local club
Would be punished with a points deduction
A reprimand and a swingeing fine

It appeared the team had broken the rules
And fielded what he said was an illegible player
Which is a rather different thing
And as the sports reporter’s voice carried on
The breakfast table began to fade away
And I was transported back to the touchline
From where I’d watched on Saturday last
And where I’d sought in vain to spot the winger

His whereabouts were uncertain, if not obscure
I just couldn’t make him out at all
A pass went out to him, to run down the wing
In an attempt, perhaps, to defeat the off-side trap
But he just wasn’t there, and the ball ran into touch
His position being indecipherable
His off-the-ball movement unreadable
He was totally anonymous in the game
Occupying a lacuna of space out on the right
An unseen presence, missing in action
His role in the side no more than a mystery
The meaning something I couldn’t even guess

Then the room came sharply back into focus
With the shelf and the radio all present
The toast soft and buttery in my hand
My mug of tea gone cold and un-drunk
And the announcer now on a different story
Having moved on from the offence and investigation
To the scores elsewhere in the league
I’m still not sure that I’d heard him quite right
But upon more sober reflection
I think he’d used the right word after all


Copyright Andy Fawthrop 2015

Friday, 18 September 2015

Hanging On

Hanging On

The frustration of not being able to get through, to send & receive clearly, on demand, but to be at the mercy of technology, time & cyberspace.

I thought it was meant to be progress?
This stuff they call technology?
My smart-phone’s turned into a dumb-phone,
And 4G’sjust  a piece of kidology.

I don’t want to download, I don’t want to upload,
I don’t want to jabber in code:
I just want to talk to the bloke who lives down the road.

This lack of signal’s a pain, I’m giving myself wrist-sprain
I’m going insane, whilst trying to gain
The position to “send” once again

I’d be in my element, I’d become a real gent
If this text could be sent
But instead I’m reduced to railing
Cos the damned thing keeps failing
The designer of this should be quailing
If I got near him he’d be wailing
I’d want the bugger jailing

I get really riled, each time when I’ve dialled
One of the numbers I’ve filed
When it says it’s unknown, then it fails with a groan
And I can’t find a dial-tone, or enough bars on the phone

I’ll admit that I’ve cried, whenever I’ve tried
To follow the User Guide, then I get “Access Denied”
I’ve even tried bending
To improve the chances of sending
It’s my money I’m spending
But the damned things always offending
My hair I’m tearing and rending
The problems are never-ending
And my messages and calls are tending
To a status of “pending”

Why can’t I get through? 
What am I supposed to do?
I think I should sue!
I’m clearly stating, that this situation I’m hating
I’m fed up of waiting, the problem’s never-abating
It shouldn’t fail, it’s not the Holy Grail!
Not on this scale, it’s beyond the pale
So I think I’ll give up and go back to email


Copyright Andy Fawthrop 2015

Thursday, 17 September 2015

Tasting Notes

Tasting Notes

The world is full of wonderful wine,
So many that it’s very hard to choose.
But you’re supposed to be particular,
Not just knock it back like booze.

So I was dragged along to a wine tasting,
Then told to wait patiently and sit,
But the biggest shock I got that night,
Was being told not to swallow, but to spit!

Apparently, you can’t just rush in:
You’re supposed to take your time, and savour it.
If you go and drink it too quickly,
You’ll not discover your favourite.

There was a method and a protocol,
I soon learnt, that had to be observed,
Although I’d have liked to just get on with it,
From quaffing too quickly I had to be deterred.

Firstly they all gazed upon its colour,
Finding words to describe its “shades” and its “tints”,
So I swallowed a few mouthfuls,
And listened to them talking of “hints”.

Then there was some swirling around in the glass,
To develop the “bouquet” and the “aroma”:
But I decided to just finish my glass,
Before I slept, or fell into a coma.

I thought after that we’d get on with it,
But they started mentioning the “nose”,
So I started sipping a bit more of it -
What they were waiting for, God Alone knows.

Then, finally, they got on to the drinking,
And to their palates (that means the taste),
But I was already way ahead of them,
I drank a bit more, no time to waste.

They started swirling it all round their mouths,
And rolling their eyes as they savoured,
And sucking in air, and pinching their cheeks,
Was another method they favoured.

Then they spit it all out in front of me!
And started describing it as “amusing”.
It was “intense”, some called it “immense”,
But I just found their chatter confusing.
  
Now I can’t see the point of spitting it out,
Once you’ve got the stuff in your gob,
So I carried right on swallowing,
Trying my best not to look like a yob.

They were on about it being “floral”,
It was “delicate” I must understand,
And when they said it was “well-balanced”,
By this time, I had a glass in each hand.

I couldn’t frown, as I let it slip down -
They said it was “full-bodied” and “smooth” -
But by now I was cursed, with a great raging thirst,
And my drinking was looking uncouth.

The “complex notes” passed by their throats,
And there were “distinctive undertones”,
But this “fragrant” medium, had turned into tedium,
As I threw back the Cotes de Rhone.

At lasht they were talking of the “finish”,
Of how the “fragrant notes” really shung.
They were lying, to call it shatisfying,
The tashte hung around on my teeth & my tongue.

To be perfectly honesht, I’d had enough,
My legsh felt shaky; I went t’wards the door,
Everything looked all kind of doubled;
I needed no more, as slowly I shlid to the floor.

Sho take the moral of thish shtory;
And lishen to me when I try hard to shpeak:
Don’t drink too fasht, try and make it lasht,
And – shorry – I’ve to dash for a leak!


Copyright Andy Fawthrop 2015

Wednesday, 16 September 2015

A Different Country

A Different Country

Things were different way back then
We accepted different things
How our heroes sailed before the mast
And behaved the way they did
Because no-one knew to stop them
But today we’re ready to talk about the past

Seeds sown so many years ago
Lain dormant, suddenly awaking
And tear-watered, flourish fast
And grow into monstrous shapes
Cast long shadows on the guilty
And leave the public quite aghast

A long, long shameful silence
Brooding on bottled-up emotions
And how history’s since been cast
Now emerging into light of day
And moved to naming famous names
How could they expect such lies to last?


Copyright Andy Fawthrop 2015

Tuesday, 15 September 2015

Killer In The Village

Killer In The Village

There’s a killer in our village
And he’s not been brought to justice
He’s out there right now
Walking round a free man
Because no-one knows
About his guilty secret

There’s a killer in our village
He’s just an ordinary guy
With a wife and children
Worrying about his credit card
And his hefty mortgage
Perhaps the same as you and I

There’s a killer in our village
And everybody knows his name
They see him down the pub
And he plays on all the local teams
They’ve been known to pat him on the back
When he makes a winning score

There’s a killer in our village
Who knows how to hit a target
He’s top gun at computer games
With hand/ eye co-ordination
Second-to-none, rated excellent
For a special military job

There’s a killer in our village
Yet no-one lives in any fear
He drives over to the airbase
And he works his every shift
Then he passes through security
And descends in to his bunker

There’s a killer in our village
But no-one’s after him
He peers into his monitor
Yet he’s never in any danger
For he’s a pilot who always stays at home
And flies the drones in Afghanistan


Copyright Andy Fawthrop 2015

Monday, 14 September 2015

The Ten Golden Rules of Soap Opera

The Ten Golden Rules Of Soap Opera

Soaps the world over, whether on TV or radio, seem to share some universal rules.  Some of these defy real-world logic, or are counter-intuitive.  To assist you in coping with this nightmare, here are the ten major rules with explanation & illustration.

1.       IF SOMEONE SAYS SOMETHING WILL HAPPEN, THE  OPPOSITE THING IS THE MOST LIKELY OUTCOME
a.        E.g.  “Everything’s going to be fine from now on” – means disaster will shortly ensue
b.       Pretty much everything on soaps gets jinxed, especially relationships
c.        When two people are in love, or state that they are “solid”, one or other of them will immediately be unfaithful with someone else in the next episode
d.       If anyone looks really happy, without a care in the world, they are about to die
e.       If anyone says that something is secret, within a few minutes most of the cast will know
f.         If anyone says that they are “going to take care of” another person, they are about to abandon them

2.       TIME AND SPACE ARE ENTIRELY FLEXIBLE
a.        Yesterday it may have taken half an hour to get from someone’s home to the hospital, but today it might only take two minutes
b.       Any UK city mentioned by name is a major journey away, taking many hours or days to get there.  It is almost impossible to get back because high-speed buses and trains do not exist.  Landlines & mobiles will not work either, so all contact will be lost. Going to Southampton, for example, is equivalent to being banished to Siberia
c.        However, any foreign country in any part of the globe can be reached within the hour
d.       Anyone who goes to visit their Aunt in Hull for a month will come back with bleached hair and a sun-tan
e.       No matter how many family members, girl-friends, boy-friends and lodgers live in a house, there are always enough bedrooms and bathrooms to go round.  But there will be no milk in the fridge

3.       SOONER OR LATER, SORAS AFFECTS EVERYONE 
a.        SORAS is Soap Opera Rapid Aging Syndrome. One day a child may be only 5, and the next he might be 15, but you just have to go along with it.  E.g. in Coronation Street Tracey Barlow went upstairs as a 9-year-old child and returned nearly thirteen years later as a fully-grown woman.  This passed without remark
b.       When a child character is suddenly replaced by a completely different actor, nobody notices
c.        As soon as any character over 60 is seen to forget something more than once, they immediately become 80 and start suffering from advanced dementia

4.       IF SOMEONE IS MURDERED, THERE MUST BE AT LEAST THREE SUSPECTS 
a.        The most hated characters are the most susceptible to murder mystery storylines
b.       The most loved characters will become unwittingly embroiled, repeatedly incriminating themselves
c.        All the suspects, good or bad, will suddenly start behaving differently, leaving a swathe of ambiguous clues
d.       The police will suspect, arrest and threaten each suspect in serial fashion, before admitting they are baffled
e.       Everyone will be convinced that they know who did it, and will say so, and will be wrong
f.         The actual murderer will finally turn out to be someone completely different

5.       IF ANYONE HAS SEX WITH ANYONE ELSE THERE WILL BE UNEXPECTED CONSEQUENCES
a.        Some-one, usually an existing partner, will be watching from the shadows.  However, the guilty couple will always share a “secret” kiss on the doorstep the morning after, and will look furtively in both directions before sneaking off, so this is not always needed
b.       The woman will always get pregnant
c.        If the pregnancy is unwanted, it never ends in abortion, no matter how many times the woman goes to the abortion clinic or discusses it with others
d.       The foetus is always referred to as “the baby” as soon as the pregnancy test-kit hits the rubbish-bin

6.       THERE TENDS TO BE THREE OR MORE CHARACTERS IN ANY LOCATION AT ONE TIME
a.        If five or more characters are in one place at one time, something interesting is probably going to happen, probably a major row or misunderstanding
b.       If a location is shown, it will never be empty.  People will quickly crowd in to have an argument about something
c.        There is a very strong possibility that most of these people will be related to each other

7.       THERE IS NO LIMIT TO THE NUMBER OF SKELETONS ANY CHARACTER CAN HAVE IN THEIR CUPBOARD
a.        No-one is immune to having a secret illegitimate child, having served an undisclosed prison sentence, or being an undischarged bankrupt.  It follows that every character is open to blackmail from any other character who discovers this, before the rest of the cast find out
b.       Everyone has a long-lost sister, brother, mother, father or extremely significant person in their lives, who (inexplicably) has never been mentioned before they suddenly turn up on the doorstep
c.        Any major secret is revealed in public in the worst possible circumstances, in the pub, usually on Christmas Day

8.        MOST PEOPLE DON’T LEAD NORMAL LIVES
a.        No two characters have the same Christian name, so there is never any confusion in conversation
b.       Everyone eats, drinks, works & procreates within 100 yards of their own house
c.        Virtually everyone is self-employed and therefore has totally flexible hours & an indeterminate income.  Equally there is a never-ending supply of local casual work, which usually falls into the lap of the most desperate person
d.       No-one has a bank account, any savings or insurance.  Rental & mortgage payments are never paid from a bank account – indeed all transactions are conducted in cash
e.       Merely working a couple of shifts, adding up to just ten hours a week, provides enough income to pay rent, buy food & drink, maintain a large family and to conduct a normal lifestyle
f.         No-one goes to the toilet, washes their own clothes, cleans their house, or watches TV (especially soap operas)
g.        In the pub & the café, no-one ever mentions religion, politics or world affairs
h.       People never make appointments or check availability – they just drop in and the person is always there and available.  And when there is a knock or ring on the door, it is always answered instantly, and without checking who is there first
i.         When confidential information has to be shared, it is always done in the most public place, in normal audible voices.  It follows that someone will be eaves-dropping, which makes it strange that the characters are always flabbergasted when the secret gets out, and will blame each other for being indiscreet

9.       THE IMMEDIATE NEIGHBOURHOOD IS THE MOST DANGEROUS PLACE ON THE PLANET
a.        More happens in half an hour on set than happens in most people’s whole lifetimes
b.       There are more cases of arson, robberies, rapes, assaults and murders in one square mile than happen the UK in the course of a whole year
c.        If characters are driving in a car, the car will probably crash, injuring or killing one or both occupants.  It will never be a minor fender-bender, with both parties merely exchanging insurance details
d.       Leaves fall off the trees in January and start growing again in January
e.       If a plot-line runs out of steam, at the drop of a hat, a character will decide to leave the neighbourhood for good. The manner of their departure e.g. taxi, private car, bus or tube is a function of their status in the soap, and is a strong indicator of the likelihood of their future return to a new plot-line a few months later

10.    IN THE MAJORITY OF CASES, A DEAD PERSON IS NOT REALLY DEAD 
a.        If the body hasn’t been found, the person’s alive
b.       If the body is unidentifiable without medical records, it belongs to someone else
c.        If someone says, “Don’t worry, he/she/it’s dead,” he/she/it is probably alive
d.       Even if the body has been found, the person might still not be dead
e.       Even if a funeral has been held, the character may come back in some form e.g. as a ghost
f.         The most usual cause of death is that the real-life actor has been sent to prison for child abuse, or has been asking for more money, or has had their contract terminated


Copyright Andy Fawthrop 2015